11 August 2021

I have been making progress on the translation version of Nagasaki Kitty with my writing partner Dr. Mimi Okabe. We recently released the pre-order for the game in time for our conference presentation at RePlaying Japan 2021 (hosted online by the University of Alberta). In our short video submission we discuss our motivations for making the game, American historiography, and our adventures in translation (in particular the dynamics of translating “meow”). We are continuing to make progress on the game and plan to start playtesting soon.

On another, semi-related note, I have been getting more practice making videos and I think that they are becoming higher quality. Post-pandemic, when we will presumably move away from remote conferences, I think that I will continue to make video versions of my talks so that they can be more easily disseminated (especially post-conference).

13 June 2021

An interesting by-product of the pandemic for me has been an increased amount of time spent learning new software and platforms. I was required to create a video essay version of my talk for the Canadian Game Studies Association and I enjoyed that experience. As a result, I made another video essay based on my International Conference on Games and Narrative 2021 talk. I am lacking in the proper equipment (i.e. microphone, lighting, etc.) so I think that the quality of the video may be slightly lacking, but I still had fun making it. The gameplay clips were captured on a PS4, the audio was recorded and edited using Audacity, and the editing and combing of files was completed using the Microsoft Photos application (which has pleasantly surprised me with its ease of use and number of features).

31 May 2021

I was extremely excited and honored to be able to discuss an important aspect of my research and methodology at the Canadian Game Studies annual 2021 conference. This was initially accepted as a paper for the 2020 conference and was a speculative paper intended to engage with how I was going to tackle my positionality within my dissertation. However, the 2020 conference was cancelled and all accepted papers were moved to the 2021 conference. As a result, this paper went from, “This is how I think that I will handle positionality within my dissertation” to, “This is how I handled positionality within my dissertation.” The fact that the 2021 conference was entirely virtual meant that I needed to record a video essay which can be found below.

I look forward to further engaging in this field and type of research in my future scholarship. In particular, I am becoming more and more interested in the idea of “erasure” both on the individual level but also at larger sites of power and within collective/cultural memory.